Showing posts with label content curation. Show all posts
Showing posts with label content curation. Show all posts

Friday, July 20, 2018

ThinkLink...ThingLing...ThingLink!

Anyone who uses the Windows Spotlight feature for their lock screen on a Windows 10 computer will instantly recognize ThingLink. It may not be the easiest name to pronounce, but what it lacks in pronunciation it makes up for in potential.

According to their website, ThingLink is a product identification tool that makes it easy to add clickable tags to any image on the web and share the tagged images on social networks. ThingLink also claims to be the leading provider of image and video interaction tools in the classroom.

My very first Thinglink creation on the topic of copyright
My actual first ThingLink image
I am just now discovering ThingLink; however, it’s been around for a decade, which is an eternity when it comes to online software applications. And it seems to have carved out a niche in the image tagging market as I could not find much in the way of competitor tools. Genially seems to be the closest competitor without digging too deep into it. (If you’ve used this application, let me know about your experience in the comments)

Anyway, back to ThingLink. Behind the scenes, ThingLink runs on JavaScript to serve up rich media content (images, video, etc.) on top of an online image. This additional content appears when viewers move their mouse over tagged areas of the image. This seems like such a simple concept, but it has huge potential, because an infinite amount of additional resources could be connected to that single image. This technology increases engagement through interactivity.  It’s no longer just t a static one-dimensional image, but a portal to an endless world of content.

Last week I wrote about digital content curation and how this practice distills the world wide web down into its best parts. ThinkLink has a similar value proposition and allows you to easily cull materials from all over and present them in an engaging fashion. I can see this as a very useful tool in the classroom and could really apply to any subject matter. Students could find a picture, or be assigned a picture for inspiration and from that create an interactive presentation into whatever theme it is. They could curate using existing media found online, or it could be used to showcase their own original content that has been uploaded or created digitally. ThingLink also provides the ability for teachers to organize their students into groups to make managing and sharing easier. It even allows students to add comments to images created by classmates. With the advent of rich media tagging technology of applications like ThingLink, glue sticks, scissors and construction paper may soon be a thing of the past!

Saturday, July 14, 2018

Curation & Copyright

Another week in the books, another tool added to the Web 2.0 toolbox. I signed up to try several tools this week: Pearltrees, Diigo, Wakelet, Pinterest (okay, I was already signed up for Pinterest) but as in previous weeks, this was just barely scratching the surface of what is out there. I did not immediately take to Diigo or Wakelet; perhaps I didn’t give them enough time to win me over. Waklet’s interface seemed rigid to me and the process for adding items to a collection was clunky and limited. Diigo I think has potential with the ability to search tags and the suite of tools available to add content through the Google Chrome browser extension was impressive, but the interface was cluttered making it difficult to use. I’m sure given more than a few days of playing with these tools their better features would shine and their limitations would feel, well, less limiting.

As I mentioned in my last post, there are tons of tools out there that are trying to solve the problem of information glut. I think two quotes from Wakelet’s about page sum up the current predicament rather well:
"The web is filled with disconnected pieces of information and it’s growing all the time."
"Perfectly good content gets buried in no time at all."
It is impossible to keep pace with the amount of information generated online every day; heck, even every minute presents an insurmountable mountain of stuff that we may never even see. Social bookmarking and digital content curation tools are two ways that we can harness the power of social networking to tackle this problem. Even with these tools, there is no way to see everything, but we have a better chance of seeing the right things, the things that are important to us.

What I found interesting from the article on Diigo use in an online graduate-level class was the sort of trickle-down effect of the curated content (Im & Dennen, 2013). The knowledge didn’t just stay within that group of students but rather spread to others that were connected to those students and presumably to others connected beyond that. The act of collecting, aggregating and cultivating the disconnected pieces of information on the Internet greatly extends the reach of this information as it piggybacks on the network of connections between users.

The other issue we dealt with this week was intellectual property and copyright. Kirby Ferguson had a very convincing argument for why he believes everything is a remix and there is no doubt that both the volume of content available on the Internet and the ease of appropriating it has significantly complicated these ideas. Social media is built on a foundation of sharing, so I was curious about the fate of this continuous stream of content. Do we still own it or are we giving up our rights to it when we click post? Turns out, buried in those terms of service agreements that 99.9% of people blindly accept without so much as a second thought, you still own the content you post on social media; but...by using the service you are granting Facebook, Twitter, Instagram or whoever pretty much carte blanche to use your content without compensation.

In her article titled "User Data on the Social Web: Authorship, Agency, and Appropriation," Jessica Reyman (2013) draws an important distinction between content and data and while you may own your content, social media companies make a fierce claim over ownership of your data. Some may ask what’s the difference? Data includes a wide range of information like status updates, friends and groups you belong to, the things you like, your browsing history and information (metadata) embedded in the material you upload. Most of this stuff is invisible to the end user and that’s the point Reyman is making. People may not be fully cognizant of what data they are implicitly agreeing to give up and more importantly, how that data will be used. This data appropriation by social media companies is viewed as an acceptable cost for the privilege of using the platform.

Reyman cites examples of how Facebook mis-appropriated this data in ways that were unexpected and certainly not welcomed by users and resulted in considerable outrage. The problem I see as social media continues to grow is that users are unable to give their informed consent to these data use practices. Technical settings in many of these applications give the appearance that users are in control of their data, but are they really? Do they know and understand the implications of turning a setting on or off? I would say that most people don’t and the majority of people trust that the default settings will be adequate and provide them with an appropriate level of security and protection. But whose interests are those default settings designed for? The user or the company?

In many ways, the Internet is still the Wild West, with new technologies emerging every day that require us to renegotiate how we interact with this evolving medium. Social media is the current trend in this evolution and with it comes valid concerns over the ownership and use of our content and data. As digital citizens, we need to be aware of these issues and be active voices in the discussion to ensure a fair and balanced distribution of rights.


References:

Im, T. & Dennen, V. P. (2013). Building a collaborative knowledge base in Diigo: How links, tags, and comments support learning. In T. Bastiens, & G. Marks (Eds.), Proceedings of the World Conference on E-Learning in Corporate, Government, Healthcare, and Higher Education (ELEARN) (pp. 794-797). Chesapeake, VA: AACE.

Reyman, J. (2013). User data on the social web: Authorship, agency, and appropriation. College English, 75(5), 513-533.